| R E S U M E | ||
| R E V I E W S |
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Pavel
Kraus |
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| Review
- Marek Bartelik, Art in America, February 2007 Review - Edward Leffingwell, Art in America, December 2005 Chicago Tribune, October, 2004 Diversions, October, 2004 Case da Abitare, December, 2002 A&W Architektur & Wohnen, October, 2002 Gazeta das Caldas, August, 2002 Review "12/15 in "6+1":Better Late Than Ever" - David Ebony, Art in America, April, 2000 Review - David Ebony, Art in America, November, 1999, Pavel Kraus in Manes 6+1 - Window on the Brooding Art World, TIMES UNION, Albany, New York, July, 1999 Zivot ve smrti - Obetiny, ATELIER, May, 1999 Sex a smrt, ATELIER, January, 1998 Ancient Mysteries, SEVEN DAYS, December, 1997 Imaginary Archaeologies, VOX, December, 1997 Review, David Ebony, Art in America, October 1997 - Pavel Kraus at Joyce Goldstein Gallery in NYC Vaclav Blaha and Pavel Kraus, TIMEOUT NEW YORK, March, 1997 Souzneni v romanskem podzemi - Pavel Kraus - Zbytky budoucnosti, ATELIER, March, 1997 Kraus se nevraci ze sentimentu, MF DNES, February, 1997 Romanske sklepy, MF DNES, February, 1997 david ebony's new york top ten, ARTNET WORLWIDE, January, 1997 Mozky a jine zbytky, REFLEX, December, 1996 Pavel Kraus (New York - Praha), LABYRINT, December, 1996 |
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| P U B L I C A T I O N S |
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| C A T A L O G U E S | ||
Monuments and Fragments, Oakton Community College, William A. Koehnline Gallery |
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| V I D E O T A P E | ||
Pavel Kraus by David Ebony, 2003 |
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| C D 2 0 0 5 available on request | ||
| "Kraus
often juxtaposes seemingly incompatible materials for the purposes of
metaphor. For instance, the organic beeswax seems to stand for vulnerability,
which is in constant conflict with the impenetrability of lead."
David Ebony, Art in America, October 1997 |
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